![]() ![]() Chapter 484: Man in the Mirror and Purple Haze, Part 6.Chapter 480: Man in the Mirror and Purple Haze, Part 2.Chapter 467: Sex Pistols Appears, Part 6.Chapter 463: Sex Pistols Appears, Part 2.Chapter 462: Sex Pistols Appears, Part 1.Chapter 461: Moody Blues Strikes Back, Part 2.Chapter 460: Moody Blues Strikes Back, Part 1.Chapter 459: The Mystery of Soft Machine, Part 2.Chapter 458: The Mystery of Soft Machine, Part 1.Chapter 447: Bucciarati Is Coming, Part 5.Chapter 446: Bucciarati Is Coming, Part 4.Chapter 445: Bucciarati Is Coming, Part 3.Chapter 444: Bucciarati Is Coming, Part 2 (Appears in flashback(s)).Chapter 443: Bucciarati Is Coming, Part 1 (Mentioned only).The transformation was originally portrayed similarly to a fetus growing into an organism, but was eventually finalized as an object molding into Giorno's desired life form. If the environment is absolutely unsuitable for life, such as when White Album decreased the temperature of the environment to around -100 ☌, then Giorno cannot transform objects into life forms. Notably, however, life forms created from parts of a whole, such as someone’s tooth or debris from a statue, will naturally make their way back to whatever it came from, such as when Giorno transformed Narancia’s shoe into a fly so that he could be tracked. Since the animals do not always act the way he predicts, like when a snake accidentally burns itself on a lighter, using them can prove detrimental. Thus, when he creates an animal, he has to guess what the animal is likely to do in order to take advantage of it. Giorno frequently produces small life forms (frogs, snakes, flies) and plants of which he has no control. Giorno has also instantaneously transformed drops of his blood into a swarm of ants, suggesting that the transformation time is proportional to the complexity of the life form he creates. Thus, transforming parts of a helicopter into a tree is nearly instantaneous and violent enough that the branches can burst through metal, but transforming a rubber lifesaver into a fish takes a noticeable amount of time. ![]() The speed of the transformation varies wildly, depending on the desired form: an object morphing into a plant is always shown to be fast, but animals generally take more time. It can also freely cancel this effect and return an object to its original inorganic state. The life forms can persist for a long time and even a significant distance from Giorno. For instance, Gold Experience can transform a piece of luggage into a frog or a lighter into a rose. This ability's most featured use is converting inorganic objects into living organisms, be it a small animal or a plant. Its helmet, according to Araki, could represent a flower waiting to bloom. ![]() Gold Experience's design is based on scarab beetles, which were a symbol of creation in ancient Egypt, and on ladybugs, symbolizing regeneration, with its angel wings as a symbol of peace. It also wears elbow braces and knee pads. It wears a loincloth covering its back with slings attached to the front, similar to the suspenders on DIO's pants. Gold Experience bears stylized, small wings on its shoulders and large ladybugs on each side of its chest, waist, hands, and feet, paralleling the ladybug emblems present on Giorno's design. It has grooves covering its chest, forearms and legs. Below its eyes, there are curved markings similar to the letter "J" extending down to beside its lips. Lacking pupils and irises to look more mysterious, its eyes are segmented by lines. It notably has a large arch in the center with five lines emerging from it, segmenting the head into six symmetrical divisions, with the two lines going to the top corners of the arch each having a golden spiral pattern. There are curved carvings engraved on the top of its head, which resembles a combat helmet as well as the body of a jewel scarab beetle. Gold Experience is a humanoid Stand that mirrors the slim physique and average height of its user, Giorno. ![]()
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